By Xan Brooks, The Guardian. Posted September 9, 2009.
Moore's latest documentary drew tumultuous applause at the Venice film festival, suggesting that the veteran tub-thumper has lost none of his power to whip up a response.
The bankrobbers caught on camera at the start of Capitalism: A Love Story are a forlorn and feeble bunch. We see a bedraggled old man in a Hawaiian shirt, and what looks to be a 12-year-old boy wearing a balaclava. For all their flailing efforts, they've got nothing on the real crooks: the banking CEOs who recently absconded with $700bn of public money, no strings attached. That's what's known as a clean getaway.
Michael Moore's latest documentary drew tumultuous applause at the Venice film festival, suggesting that the veteran tub-thumper has lost none of his power to whip up a response. If the film finally lacks the clean, hard punch provided by the record-breaking Fahrenheit 9/11, that can only be because the crime scene is so vast and the culprits so numerous.
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